POST DE PRUEBA - CONTENIDO SIMULADO Prehistoric Isle consta de cinco niveles, cada nivel es una zona de la isla si conseguimos llegar vivos al final nos espera el enemigo final que no puede faltar en un juego de la época:

NIVEL 1: Sobrevolando la isla, los enemigos finales son un Brachiosaurus y el Allosaurus.

NIVEL 2: El cielo, el enemigo final es un Pterodactyl.

NIVEL 3: Una cueva, nos enfrentamos a Ancient Coleoptera.

NIVEL 4: Las profundidades marinas, nuestro biplano fantástico se transforma en un submarino y nos enfrentamos a Archelon y Ammonite (tortuga gigante y caracol marino con mala ostia).

NIVEL 5: Bajo la tierra nos enfrentamos al gigantesco Tiranosaurio Rex enemigo final del juego.

Mientras manejamos nuestro biplano rojo fuego tenemos que eliminar a todo los enemigos que nos aparecen en pantalla, estar pendiente de los enemigos que están en tierra firme ya que en cualquier momento dan un salto de 2.000 metros y le pegan un bocado al avión, también debemos estar muy pendientes del propio escenario que es un enemigo más, ya que puedes acabar con todos los dinosaurios que quieras pero si te chocas contra una montaña pierdes una vida, y como dije antes, el juego es muy difícil ya que el camino se estrecha al entrar en zonas de cuevas los enemigos te rodean y acaban contigo en segundos, o te concentras tanto disparandoles que te olvidas de esquivar rocas, por suerte durante la partida podemos encontrarnos huevos de pterodactilos a los que podemos disparar para obtener puntos, vidas y mejoras en el disparo, estas mejoras a diferencia de otros shooters no aumentaba la ráfaga de disparo, en vez de esto se nos acopla un disparo supletorio con 8 posiciones que nos permite disparar a cualquier zona del escenario.

POST DE PRUEBA - CONTENIDO SIMULADO 
Gantz (ガンツ Gantsu^?) es un manga de demografía seinen creado por Hiroya Oku en el año 2000. En diciembre de 2006 la Primera Fase (1st stage) se clausuró con 20 tomos y la Segunda Fase (2nd stage) en junio de 2009. El manga ha sido adaptado a varios formatos como videojuegos, anime y ranobe.

Combina la acción, la ciencia ficción, y las relaciones personales en el Japón actual, donde un grupo de personas que normalmente mueren en accidentes, aparecen en un apartamento con una gran esfera negra llamada Gantz. Acto seguido, la esfera les indica que efectivamente han muerto y son obligados a cumplir las órdenes que el ser que habita dentro de la esfera les encomienda, siendo un premio la salvación de sus vidas, si sobreviven dichas órdenes.

Por su contenido sangriento y con escenas de desnudos, esta serie fue censurada en algunos países a lo largo del mundo.^{[cita requerida]} El manga regresó con su episodio 304 el 1 de octubre del 2009.

POST DE PRUEBA - CONTENIDO SIMULADO 
Paris, Texas is a 1984 drama film directed by Wim Wenders and starring Harry Dean Stanton, Dean Stockwell, Nastassja Kinski, and Hunter Carson. The screenplay was written by L.M. Kit Carson and playwright Sam Shepard, and the distinctive musical score was composed by Ry Cooder.

The cinematography was by Robby Müller. The film was a co-production between companies in France and West Germany, and was filmed in the United States. The plot focuses on an amnesiac (Stanton) who, after mysteriously wandering out of the desert, attempts to revive his life with his brother (Stockwell) and seven-year-old son (Carson), and to track down his former wife (Kinski).

At the 1984 Cannes Film Festival, the film unanimously won the Palme d'Or (Golden Palm) from the official jury, as well as the FIPRESCI Prize and the Prize of the Ecumenical Jury.^[1] The film has been released on DVD and Blu-ray by the Criterion Collection.

Travis Henderson (Harry Dean Stanton) is walking alone across a vast South Texas desert landscape. Looking for water, he enters a saloon and collapses. He is treated by a doctor, but does not speak or respond to questions. The doctor finds a phone number on Travis, calls the Los Angeles number, and reaches his brother, Walt Henderson (Dean Stockwell), who agrees to pick him up. When Walt arrives in Texas, he discovers that Travis is gone. When he finds him wandering alone, Walt tells his silent brother that he will take him back to Los Angeles.

In the coming days, the relationship between Travis and his son slowly grows, and a bond of trust between the two starts to develop. Anne tells Travis that although she has not heard from Hunter's mother in a year, Jane still deposits money into a bank account for her son on the same day each month.

She reveals the name of the bank in Houston, Texas, where the deposits are made. Travis becomes determined to find his lost wife, and when he tells his son that he plans to travel to Houston to find his mother, the boy says he will accompany him. 

POST DE PRUEBA - CONTENIDO SIMULADO 
The Elephant Vanishes (Zō no shōmetsu) is a collection of short stories by Japanese author Haruki Murakami. 

The stories were written between 1983 and 1990, and the collection's first English publication was in 1993. Several of the stories originally appeared (often with alternate translations) in the magazines The New Yorker, Playboy, and The Magazine (Mobil Corp.) before this compilation was published.

Stylistically and thematically, the collection aligns with Murakami's previous work. The stories mesh normality with surrealism, and focus on painful issues involving loss, destruction, confusion and loneliness. The title for the book is derived from the final story in the collection.

The British theatre company Complicite collaborated with Japan's Setagaya Public Theatre to produce a stage adaptation also entitled The Elephant Vanishes.^[1] The production featured three of the stories in Murakami's collection ("Sleep," "The Second Bakery Attack," and the title story). Directed by Simon McBurney and starring a Japanese cast, the play opened in May, 2003, in Tokyo before touring internationally in limited festival runs. The performance was in Japanese with English supertitles.

Stylistically and thematically, the collection aligns with Murakami's previous work. The stories mesh normality with surrealism, and focus on painful issues involving loss, destruction, confusion and loneliness. The title for the book is derived from the final story.